All tagged Bajour

Remembering Bajour

In 1964, a musical opened on Broadway that neither a runway hit, nor was it a calamitous flop. The musical drew its inspiration from two Joseph Mitchell New Yorker short stories: “The Gypsy Women” and “The King of the Gypsies”. The score for the show was written by Walter Marks (who is probably best known for writing the song standard “I Gotta Be Me” recorded by the likes of Tony Bennett and Sammy Davis, Jr.) and a book by playwright and screenwriter Ernest Kinoy. The musical was the also-ran Bajour, a show that, despite some detractions, also had much to recommend, particularly in Marks’ lively score. 

Video Binge: Chita Rivera — Lifetime Achievement in Spades

Chita Rivera is receiving a Lifetime Achievement Tony Award at this year’s ceremony, and I simply cannot think of any performer who now, or ever, has deserved it more. With all due respect to any performer who carves out an enduring career in the theatre, no other actress has demonstrated such longevity, durability, and talent in this business. Few others have been quite as beloved.

Let us consider for a moment that Ms. Rivera has starred in a Broadway musical every decade since the 1950s, often originating roles and giving them her own distinctive flair. She is also a powerhouse triple threat: singing, acting, and most impressively, dancing, through originating such roles such as Anita in West Side Story, Rosie in Bye Bye Birdie, and Velma Kelly in Chicago

Chita on Broadway - The Web the Spider Woman Wove

Chita Rivera personifies all that is great about the Broadway musical. A triple threat who has appeared in a major Broadway musical for ever decade since the 1950s, she pales all others by comparison where career longevity, professionalism, and versatility are concerned. When I was in college (1993), I was writing a paper for my musical theatre history class on the musicals of Kander and Ebb. Not so coincidentally, Ms. Rivera was starring in the Kander and Ebb musical Kiss of the Spider Woman. Since my paper required that I interview someone, I thought "Who better than the amazing Ms. Rivera to weigh in on the musical world of this composing duo, having starred in ChicagoThe Rink and the then-running Spider Woman. I wrote her a letter c/o the Broadhurst Theatre which included a list of questions and a gentle plea for her to answer them. It was a shot in the dark, but worth a try. Surprisingly (or maybe not so surprisingly), Ms. Rivera took the time to hand write all the answers to my questions. She affectionately recalled her experiences, recounted the importance of the process, and celebrated her co-stars as an opportunity to grow as a performer (perform with the best, you learn from the best). The fact that she took such interest in a young man's questions showed me that Chita was a class act. I have adored her ever since.