All tagged Camelot

The Best Musical Tony Award Debate: 1961

1961 was an interesting year in Tony history for a couple of reasons. First, it was a year where there were only three Best Musical nominees instead of four, and second because there were plenty of shows that could have filled a fourth category, but were left out of the running. The nominees that year were Bye Bye BirdeDo Re Mi, and Irma La Douce, with Bye Bye Birdie ultimately taking home the Best Musical prize. For this week’s installment, I am going to do things a little differently. After looking at the three nominees, I want to take a minute to examine a couple of shows that should have qualified, but somehow didn’t make the final cut. 

Stage to Screen: The 10 Worst Adaptations of Musicals

What plays beautifully on the stage might not necessarily translate effortlessly to the screen. Move musicals that have been adapted from popular stage musicals do not always make the transition successfully. For every West Side Story, The King and I, and The Music Man, there is a musical that just didn’t work so well when Hollywood got their hands on it. Here are ten of the worst stage to screen journeys that make us wonder just what happened.

Was That Broadway Musical REALLY Awful?

Have you ever picked up a Broadway cast recording that you’d only vaguely heard of (or had never heard of), listened to it and said “This score is so good! Why isn’t this show being performed all the time?”. Just because a Broadway show has problems, it doesn’t always mean that the score is bad. In fact, many flop or troubled musicals have superior scores that will make you keep wondering “Was that musical AWFUL or WONDERFUL?”. Here are nine cast albums that will keep you wondering why that musical wasn’t a bigger hit.

Broadway's Best "I Am" Songs

What is an "I Am" song, you might ask? Many people also know it as the "I Want" song, a song that comes early in the first act of a musical and that establishes our catalyst's point of view and sometimes their goal. The term "I Want" is not one I feel truly encapsulates what this song is and how it's placement in the musical affects the story to come. I Am", which used to be how these songs were identified by scholars, can include "I Want", but not vice versa. What you "want" is a subcategory of who you "are". Not every song that introduces a catalyst tells us what they want, but it most-definitely tells us who they are. So I choose the older term of "I Am" because I find it all-encompassing. I'm not trying to be difficult here, I simply prefer "I Am" because it better explains what the song achieves, especially to those just learning about musical theatre structure. But all semantics aside, some of the most-memorable and most impactful musical theatre songs are the "I Am" song and today's blog is a celebration of some of the best.