All tagged Gavin Creel

Bareilles Returns to Waitress with Creel In Tow

As the Broadway musical Waitress enters its third-year on the Great White Way, producers have a bit of exciting news to go with the anniversary. Sara Bareilles, the singer-songwriter who wrote the musical’s Tony-nominated score, will make her return to Broadway in the role of Jenna, a role she has tackled before. For the limited engagement that lasts from January 7 to February 3, 2019, the multi-platinum-selling Grammy and twice Tony-nominated singer-songwriter will be joined by Tony-winner Gavin Creel (Hello, Dolly!) in the role of Dr. Pomatter.  

The Dolly Levi of Donna Murphy

If you have not made it a priority to do so, I urge any fan of musical theatre to make an effort to see Ms. Donna Murphy in Hello, Dolly! as soon as you can. What I am speaking of is a priority assignment that you must follow through on. I am not aware of how long Ms. Murphy will be staying with the show and if she will continue her tenure during the Bernadette Peters months that will replace Bette Midler’s iconic run, but I insist, if you want to see this show performed with verve, heart, and a bravura star turn that is so layered with honesty and magic, you need to find one of the dates that Murphy is on and go. Just GO!

Review: Hello, Dolly! – The New Broadway Cast Recording

I am a proponent of joy and escapism in the musical theatre, especially in these days where we can use some diversion and smiles. The success of the revival of Hello, Dolly! starring Ms. Bette Midler is proof that there are people out there who agree with my sentiments. It is for this reason that I was eagerly anticipating the New Broadway Cast Recording of Hello, Dolly! Eager, but also hesitant, worried that this musical, with one of the most underappreciated scores would not be preserved with as much spirit and enthusiasm as the original cast recording, or the divine Pearl Bailey led version.

She Loves Me: A Review

Lately, I have been bemoaning the absence of pure joy in musical theatre. In fact, it seems that most Broadway musicals have to be emotionally eviscerating or screaming, over-microphoned, power belting diva battles to succeed. If comedy is attempted, musical theatre has to be salacious, mean-spirited or vulgar. Sometimes it is nice to go to the theatre and just get absorbed in a delightful plot, a comedy of errors with characters who make you smile and songs that stick in your brain because they actually have a melody. Is it any wonder, then, that I find myself in a state of euphoria over The Roundabout Theatre Company’s revival of the 1963 Jerry Bock, Sheldon Harnick, and Joe Masteroff musical She Loves Me.