When audiences sat down in their seats at Broadway’s Richard Rodgers Theatre in the spring of 2008, many were not quite ready for the electrically-charged piece of musical theatre they were about to witness. The then relatively unknown team of Lin-Manuel Miranda (music and lyrics) and Quiara Alegria Hudes (book) delivered several jolts of adrenaline into the arm of the American musical, infusing the more traditional form of this theatrical storytelling with the contemporary sounds of hip-hop and rap, as well as crafting a bilingual score (English and Spanish) of poignancy and potency. Director Thomas Kail staged the musical with a palpable urgency and an emotional thrust that propelled the show through its climax, and choreographer Andy Blankenbuehler provided movement that seemed to defy gravity and lift the show off the stage floor and into the ether. The musical I am referring to is of course In the Heights which has made its transition from the stage to screen some thirteen-years since it’s Broadway berth, under the direction of Jon M. Chu (Crazy Rich Asians).