All tagged Review

Collabro: Road to the Royal Albert Hall — Album Review

I cannot get enough of the band Collabro. From the moment I first heard them sing “Stars” on Britain’s Got Talent, I felt plunged into a joy of theatre music delivered in an angelic way that has never been equally captured through four-part harmony. Not long after my introduction to Collabro, I had the fortune of interviewing the four young men that make up the group.  I soon learned that Michael Auger, Jamie Lambert, Matthew Pagan and Thomas J. Redgrave are not only extremely talented, but generous of spirit, kind, industrious, eloquent, and dedicated to their art of making showtunes sing with a special flair. It was a honor to speak to them and if their musical hadn’t already won me over, this interview would make me a fan for life. The announcement of their new album “Road to the Royal Albert Hall” was exciting news to me, but would it live up to expectations? 

Jessica Vosk: Wild and Free – Album Review

Mark my words, Jessica Vosk has transcended from Broadway star to Broadway superstar, launching herself across the precipice between the two with her debut album Wild and Free. The current Elphaba of Broadway’s Wicked has been tiptoeing up to the edge of greatness, teasing us with her promises, but with this new album (produced by Michael Croiter and Robbie Rozelle and released by Broadway Records), Ms. Vosk makes good with a refreshing plunge into artistry that surpasses our greatest expectations. 

A Haunting Spin on the Carousel: Cast Album Review

Carousel has always been one of my favorite musicals, unyielding and passionate in its telling of two imperfect people entwined in an ill-fated relationship. Yes, it isn’t the easiest pill to swallow, but it was daring musical for its time and continues to be in a world where domestic abuse and misguided codependency still flourish. Part of the reason why this musical continues to resonate is the glorious Rodgers and Hammerstein score. 

How the 2018 Tony Awards Let Us Down and Lifted Us Up

I was thoroughly glad when last night’s Tony Awards was over. I’ve religiously watched the Tony Awards for decades and, for me, they have devolved from a classy evening that truly celebrated theatre performers to a commercially driven freight train that lacks nuance and direction. That is not to say that there weren’t some tasteful and touching moments, but in general, I mostly found myself praying for 11 PM to get here. 

Here is how the Tony Awards let us down this year…