All in Odds & Ends

How We As Theatre Artists Can Combat a Trump Presidency

The inauguration of President Donald Trump is at hand and for many of us in the world of theatre (and the arts in general) we are already feeling the storm of oppression that will most certainly engulf us. The announcement of Trump’s plan to eliminate the National Endowment for the Arts has already given us a mighty blow. There is an uncertainty that sits in our hearts with the weight of a lump of steel as we wait to see how his policies and his parade of unqualified cronies continue to infiltrate our lives and affect how we live, love, and create. We, however, as theatre people shall remain undaunted, because we are the hopers, the dreamers, the visionaries, the voices that speak with confidence against oppression, the greatest optimists in the world. Theatre has taught us, through its challenges and against-all-odds circumstances, an optimism and drive to succeed that should frighten the powers that be. Theatre people are not afraid to use their voice, and I think our time has come to show this country both our resolve and our inherent value.

And I’m Telling You…I’m Not Understanding Jennifer Holliday and Inauguration

Theatre fans were most-assuredly shocked to hear that Jennifer Holliday will be singing at the inauguration ceremonies of President-elect Trump. Regardless of your political leanings, one has to admit that Ms. Holliday is her own person and that she will make her own artistic decisions as she sees fit. Will her performance affect her popularity? That remains to be seen, but by the outcry on social media, it appears that she will take a bit of a hit from many of the people who make up her fan base.

Musicals that Transport and Musicals that Transform

Recently, a Facebook friend of mine started a debate over which people preferred: escapist musicals that transport us to a happier place or thought-provoking musicals that evolve our minds to new perspectives. I found this debate startling because I always thought the answer to this question was obvious. It surprised me to see how many people were dismissing the value of the lighthearted musical comedy. Of course, musicals that transport and musicals that transform are equally essential to the world of musical theatre and it all depends on what you need and when you need it.

The Not-So-Secret Hatchet Job on The Secret Garden

I am writing this piece to, once and for all, put to rest any notion that the Lucy Simon/Marsha Norman musical The Secret Garden needs to be fixed. If a Broadway revival of this complex and emotionally textured musical, based on Frances Hodgson Burnett’s beloved novel, is to happen, then it needs to come to Broadway in tact! Rumors have begun to filter in to me that the eagerly anticipated production playing at The Shakespeare Theatre Company in Washington D.C. and co-produced with the 5th Avenue Theatre is taking some mighty big liberties with this beloved musical. Apparently, director David Armstrong had such limited faith in the piece that he felt it needed to be re-written and many of its glorious songs excised. For shame.