"Come Down from the Tree" - Surely This Was a Mistake?

Ocassionally, I hear a wonderful musical theatre song that hypnotizes me, only to find out that it was cut from the show it was written for. Maybe it wasn't the right fit, or maybe another song replaced the moment in the show. For whatever reason, my heart breaks over the fact that it was excised and I try to imagine how it may have figured into the show. Then I start thinking that maybe they could interpolate it into a revival of the show. Among these bewitching misfit songs, there is one that stands out in my mind that the show would be improved by the addition. That song is "Come Down from the Tree," cut from the magical Once on this Island.

"This Is the Moment" - Guilty Pleasure Thursday visits Friday

Don't hate me in advance. I have never been an enormous fan of the musicals  of Frank Wildhorn. I found the original Broadway production of Jekyll and Hyde to be sometimes tedious, stodgily staged, and mostly laughable. I said "don't hate me." There were, however, two bright spots in that production: the glorious voice of Linda Eder (especially singing "Someone Like You), and Robert Cucciolli's soaring rendition of "This Is the Moment," my guilty pleasure for this week.

"Someone in a Tree" - When It's All About Perspective

Okay - today was supposed to be "Guilty Pleasure Thursday" but a reader put this song in my mind earier this week and I haven't been able to shake it. I hope my readers don't mind if I put "Guilty Pleasures" off until Friday. Truthfully, the holiday weekend threw me off and I had already written this for what I thought was Wednesday. I suppose I shall have to break down and buy a calendar. Please be so kind as to humor me.

"Pick-a-Little, Talk-a-Little" - Humor and Exposition

The Music Man is a marvel for many reasons and I'm tired of all of the arguments that West Side Story was robbed of the "Best Musical" Tony that year (1957-58 season). I'm not knocking West Side Story. It's a special show full of artistry and it was certainly groundbreaking for its use of dance in telling the story. The Music Man, however, is a tightly constructed piece of original musical theatre, combining nostalgia, humor, musical pastiche, sentiment and a terrific concept. At the turn-of-the-twentieth-century, a con man masquerading as a traveling salesman sweeps into a small, uptight, midwestern town to sell the folks on the idea that they need a boys marching band. He hangs around just long enough to collect money for instruments and uniforms and plans to skip town. Along the way, he brings the town together, falls in love with the emotionally stunted librarian, and becomes a father figure to her little brother.