"The Heather on the Hill" - Brigadoon - Bucolic Bliss

Brigadoon. It is a musical that is considered one of the "greats" from the golden age of musical theatre. When I was growing up, it seemed like every high school and community theatre produced this show (with varying degree of success). Nowadays, it seems as though Brigadoon isn't done quite as often as it used to be. It would be interesting to speculate as to why. Perhaps audiences aren't as enchanted with this show as they used be? Maybe it was a musical for a simpler time? Maybe the stodgy, static film version turns people off to the piece? The story is essentially a romantic fairy tale and its straightforward, falling in love at first sight premise may be too simplistic for those of us living in more romantically complicated world. It's certainly not dated by its content or language. I'm not sure that I agree with those who feel the script needs to be "reworked" for Brigadoon to be revived on Broadway, but maybe I am wrong? So where is our revival of the show about two hunters that happen upon a Scottish town that appears every one-hundred years and who have their lives forever changed by interacting with the town's denizens?

The Top-Ten Films I'd Like to See Made Into Musicals

I am the first person to say that I prefer original musicals, with original stories, to those adapted from films, but realistically, most major musicals of yesteryear were adapted from plays. It was inevitable that we would turn to film as the basis for our musicals. Truthfully, there have been some artful and/or delightful musicals adapted from films that I have quite enjoyed. Among them are Carnival!Dirty Rotten ScoundrelsThe Full MontyLa Cage aux FollesThe ProducersSpamalotGrey Gardens, and Little Shop of Horrors come to mind as fully realized adaptations that are augmented by the musical form. 

"Lily's Eyes" - The Secret Garden - Music of Heartbreak

The Secret Garden - it was not my first Broadway musical, but it was the first time I saved up my own money and went to New York City by myself to see a Broadway show. I remember, since I was by myself, that I was able to secure a 6th row center ticket at the St. James theatre for about $65 (full price) to see this show without knowing anything about either the music or the story. I had never read the book. Truthfully, I had a big crush on John Cameron Mitchell and that's what got me into the theatre. In fact, I allmost saw Nick & Nora that weekend (in previews), but after seeing Mitchell's picture outside the theatre, I decided to see The Secret Garden. I figured Nick & Nora would be a hit and that it would be around for a while. It's the only time my teenage hormones worked in my favor (The Secret Garden) and not the only time my teenage judgement of what would run worked against me (Nick & Nora). It turns out that this was one of the most glorious days of theatregoing I would ever experience. Sorry Nick & Nora

"Here's to Your Illusions" - Flahooley - When Flops Just Hurt

I have a deep affection for flop musicals. Maybe it's because so much hope and hard work is poured into any Broadway musical and I want to see the positive in them, or maybe I'm just a sucker for a lost cause. Whatever the reason, I love nothing more than finding some almost forgotten cast recording and hopefully stumble upon a handful of terrific songs that just happened to be saddled to a show that didn't take off. There are so many to have a deep affection for: The Baker's WifeThe Grass HarpAnyone Can WhistleChessGoldilocksAllegroTriumph of LoveSide ShowCarrieThe Bridges of Madison CountyThe Rink, and The Scottsboro Boys (to name a few). One of the flops that keeps me coming back is the delightfully quirky, magically delicious Sammy Fain (Music), E.Y. Harburg (lyrics) and Fred Saidy (book w/ Harburg) musical of 1951, Flahooley.