Gulity Pleasure Thursday - "Style" from The Magic Show

A delightful Stephen Schwartz score that people are not as familiar with as they are with Wicked and his other hits, The Magic Show features some poigniant character numbers and inventive melodies. Very few people remember that The Magic Show was one of the longest-running musicals of the 1970s, but it was, in fact, as popular as Stephen Schwartz's other musicals of the period: Godspell and Pippin. So, if the score is respected and the show was a hit, why doesn't anyone produce The Magic Show anymore? Surely this report card would have producers clamoring to revive the piece. The answer is simple: the musical was less of a reason for musical theatre and more a reason to show off the magic tricks of popular magician Doug Henning. Schwartz just happened to concoct some great music for a star vehicle that was almost absent of plot. 

"Carefully Taught" - Hammerstein Had Some Coconuts to Write This One

A musical that deals with the complications of racisim and how bigotry is learned and not inborn sounds like the product of the progressive theatre movement of the 1960s. The year is 1949 and the musical is South Pacific, opening in a time where barriers between interracial love are barely dicussed let alone so blatantly addressed. South Pacific won the Pulitzer Prize for Drama and never has a musical been more deserving of the honor. This is not just light, breezy musical theatre or tongue-in-cheek musical comedy. This was musical theatre probing deeper than it ever had, delving into complex issues that were more than taboo, they could incite violence in many areas of our country. 

Top-Ten Lyrics that Perfectly Capture the Moment and Character

As I was writing my piece on Falsettos earlier this week, I was thinking about how William Finn captured so much in the lyric "Keeping up my head as my heart falls out of sight" in the terrific "Holding to the Ground." It got me thinking about what lyrics stopped me in my tracks with their efficiency and complexity in summing up a character in just a few short words. This week, for my "Top-Ten List," I have decided to explore that theme a little further: The Top-Ten Lyrics that Perfectly Capture the Moment and Character. Since I have already delved more deeply into "Holding to the Ground" in a former article, I will leave that one off of this list (for the opportunity to explore an additional song). 

Guilty Pleasure Thursday - Gigi - It's coming to Broadway...again

Alan Jay Lerner and Frederick Loewe created intoxicating scores for the musical classics Brigadoon, My Fair Lady, and Camelot. The songs from these musicals will sweep you off their feel with their theatricality, emotional sweep, and revealing character pieces. Lerner and Loewe also produced the score for the "Best Picture" winner of 1958, Gigi, also picking up an Oscar for the the title song. Vincente Minnelli directed the elegant musical (based on the story by Colette) about a young french girl groomed for courtesanship by her aunt and grandmother in the hopes of securing Gigi's future by pimping her out to the rich playboy Gaston. Apparently, being a "kept woman" is a family trade, passed down through the generations.