Stephen Sondheim is perhaps the most revered and worshipped composer-lyricist in the American Musical Theatre, and though he has earned that status with an extraordinary canon of work, certain musicals he has written are obviously better than others. Opinion and personal preferences, of course, play into one’s feelings about his shows. As an experiment to sort out my enthusiasm and criticism of his work, I have ranked Sondheim’s musicals from his worst to his best.
Let the judgment begin…
I don't feel like I have much to say this week. The presidential election and the subsequent fear and pain that it has unleashed in the theatre community and beyond is still very raw and palpable. At a time when so much hope seems to be lost, I cannot help but hear the voices of strength that certain showtunes provide. Since the last thing any of you want to hear (or read) are my ravings about the outcome of this surreal and most disheartening election. Instead, just this once, let me simply share some lyrics of hope (and denial) that have been crossing my mind since Tuesday.
With Sweet Charity returning to the New York Stage this fall in a production starring Tony-winner Sutton Foster, this week I will explore the history and makeup of this imperfect musical that somehow manages to delight theatre folk, particularly dancers. What is it about this dated, meandering musical that continues to intrigue directors, choreographers and performers enough to keep returning to it
As many of my readership know, one of my favorite topics to write about is Broadway poster art. I love an effective and efficient piece of graphic art that can entirely sum up a show in one memorable image. The Broadway poster art is the image that invites the audience to buy tickets, and stays with them long after they part the theatre. That is why it is essential that Broadway poster art get it exactly right. It’s part of a show’s marketing and its legacy
