There are many movie musicals that were not perfect. For one reason or another, they just don't delight audiences the way big hits like Singin' in the Rain, The Sound of Music, or West Side Story do. That's perfectly fine; not every outing is going to be a hit. There are, however, several movie musicals that may have missed the mark, but managed to still have moments of beauty and magic. Today's column explores eight movie musicals that deserve a second look.
There has certainly been a great deal of controversy over the ousting of Okierete “Oak” Onoadowan in favor of Mandy Patinkin to play Pierre for a three week engagement in Natasha, Pierre, and the Great Comet of 1812. It has been a polarizing subject that has inspired outrage, from the cogent argument that it's not right to replace a contracted performer because an arguably more-marketable one has become available, to more outlandish cries of racism which, if you look at the makeup of this diverse cast, doesn't really hold water. The question here is, “Is it acceptable, for reasons of publicity and box office potential, to relieve a performer of his or her contracted duties in lieu of a bigger name? Where are the lines of professional courtesy and etiquette crossed?”
I started out writing this piece, intending to explore all styles of musical revues, the "best of" the genre. I soon realized that, if I didn't apply certain parameters, I'd be writing until the end of time. So, I set some rules: the musical revues that I would discuss had to have original music, not an assemblage of showtunes such as in And the World Goes 'Round, or be composed of radio hits a la Smokey Joe's Café. Both are fine revues, but I decided I wanted to concentrate on the pieces that were written, from conception, as original revues. Here are some of my favorites to listen to and read about.
I don’t always agree with the critics, and I sometimes don’t agree with audiences. Where musicals are concerned, I am often surprised at what pieces are embraced and what pieces are rejected. Occasionally, I find a musical where, despite how the masses are feeling about it, I am at odds with their tastes. Here are ten musicals where my delight was at odds with critics and ticket buyers.
