Remembering Shirley Jones in Maggie Flynn

Shirley Jones proved her mettle as a star of musicals, albeit predominantly in film musicals. She found her early start when the casting director for Rodgers and Hammerstein, John Fearnley, discovered her at a casting call. When Richard Rodgers saw what Jones was capable of, she was put under contract with the duo (the first and only singer to achieve this honor). She was immediately cast in a minor role in South Pacific, and then was given a chorus role in their musical Me and Juliet, working her way up to an understudy for the lead. When Rodgers and Hammerstein went to Hollywood to begin work on the film version of their groundbreaking Oklahoma! (1955), it was Jones that they cast in the role of the farm girl Laurey. 

Hollywood proved to be a perfect fit for Jones, and Rodgers and Hammerstein were quick to usher her into the film version of Carousel (1956) when the casting of Judy Garland fell through. Other film musicals included April Love (1957) and the film adaptation of the Broadway hit The Music Manin the role of the uptight Marian the Librarian. She also won an Oscar for playing Lulu Baines in the nonmusical Elmer Gantry. Broadway, however, would eventually beckon Shirley Jones back, and the star vehicle that would be her triumphant return would be the short-lived Maggie Flynn (1968).  

Remembering Bajour

In 1964, a musical opened on Broadway that neither a runway hit, nor was it a calamitous flop. The musical drew its inspiration from two Joseph Mitchell New Yorker short stories: “The Gypsy Women” and “The King of the Gypsies”. The score for the show was written by Walter Marks (who is probably best known for writing the song standard “I Gotta Be Me” recorded by the likes of Tony Bennett and Sammy Davis, Jr.) and a book by playwright and screenwriter Ernest Kinoy. The musical was the also-ran Bajour, a show that, despite some detractions, also had much to recommend, particularly in Marks’ lively score. 

Broadway Musical Magic: Remembering The Magic Show and Merlin

Hardly anyone ever speaks of this long-running musical of the 1970s, and a revival of the show most certainly will never happen, but it is hard to dismiss the Broadway success of The Magic Show. Tailored around and to the talents of magician Doug Henning, The Magic Showfeatured a score by Stephen Schwartz (PippinGodspellWicked) and a book by Bob Randall. Though the Schwartz score has some gems worth listening to, the plot for The Magic Showis relatively thin. This is arguably beside the point, since the real intention of the musical was not to succeed as a musical at all, but to capitalize on Henning’s talents as an illusionist and on his celebrity (which was climbing in the early 1970s). 

Bareilles Returns to Waitress with Creel In Tow

As the Broadway musical Waitress enters its third-year on the Great White Way, producers have a bit of exciting news to go with the anniversary. Sara Bareilles, the singer-songwriter who wrote the musical’s Tony-nominated score, will make her return to Broadway in the role of Jenna, a role she has tackled before. For the limited engagement that lasts from January 7 to February 3, 2019, the multi-platinum-selling Grammy and twice Tony-nominated singer-songwriter will be joined by Tony-winner Gavin Creel (Hello, Dolly!) in the role of Dr. Pomatter.