The composing team of Kander and Ebb are typically first remembered as the creators of the edgy, flashy, razzle-dazzle music of such shows as Cabaret and Chicago. It would be wrong, however, to think that this was all that they were capable of. In fact, the team’s work often tended towards a reflective, gentler style of musical comedy found in such shows as Zorba and The Rink. One show that really seemed to embrace this subtler, character-driven approach to storytelling was 1968’s The Happy Time.
