The Broadway revival of William Finn’s and James Lapine’s Falsettos produced by Lincoln Center has been eagerly anticipated. Indeed, the musical that explores the modern definition of “family” is a much-needed tonic in a world where hate and homophobia are rearing their ugly heads at every turn, and where compassion and understanding are derided as “un-American” by so many friends and neighbors who would support a Trump presidency. Yes, the story of Falsettos hails from a different time, an era where fear ruled our thoughts as a mysterious disease began to kill-off predominantly gay men as conservative politicians chose to ignore the death tally in favor of religious retribution exacted by an Old Testament God of spite and smite