All tagged Larry Grossman
Some musicals you just know are going to bomb from the moment they are announced. It’s just clear that it is half-baked idea that is going to struggle. Something just doesn’t feel right about it. Then there are the shows that sound like such a good idea that you cannot help but invest your hopes in them. The premise appears sound and the possibilities of what a musical can do to augment the story and character development is promising. It’s only after our hearts are broken that we begrudgingly accept the show flopped. Minnie’s Boys was one of these heartbreakers.
An eagerly anticipated musical of the 1984-1985 Broadway season was Grind, set to be Harold Prince’s big project of the time, but ultimately part of a sequence of lulls in what was an otherwise prolific career of genius and artistry. Grind was an edgy musical that depicted the harsh divide between races in burlesque theatre of Chicago in the 1930s. With a book by Fay Kanin, and a score by Larry Grossman (music) and Ellen Fitzhugh (lyrics), Grind was an ambitious piece of musical theatre that had a hard time settling into what it wanted to be. Sometimes, it played like a broad comedy, sometimes it felt as though it was aiming for serious drama, and the show-within-a-show moments often left audiences feeling like they were watching a musical revue, even when those numbers were making commentary about what was happening onstage. Still, there was something special about Grind sometimes did work, and much of that came from just how daring it set out to be.
