I first encountered the music of William Finn when Falsettos came to Broadway in 1992 and “The Baseball Song”, “My Father’s a Homo” and “Falsettoland” were performed on the Tony Awards. I was not aware that these characters had been around for over a decade, nor was I aware of In Trousers, which introduced the character of Marvin, nor had I heard of March of the Falsettos or Falsettoland, the two one-act musicals, written a decade apart, that comprised the first and second acts of Falsettos. I simply thought Falsettos was a new musical coming to Broadway, and the Tony Awards committee’s inclusion of it in the “New Musical” category did nothing to dispel this perception.