The composing team of Kander and Ebb were often attracted to properties that allowed them to tell a show-within-a-show story, often using the show or entertainment style within to provide commentary on the show the theatre audience is watching. Cabaret (cabaret), Chicago (vaudeville), Kiss of the Spider Woman (film), Curtains (musical theatre), The Scottsboro Boys (minstrel shows) and, even to a degree the village storytellers in Zorba employ this conceit. It shouldn’t be a surprise, then, that the team found a way to utilize the dance marathons in Atlantic City of the 1930s to similar effect in the short-lived musical Steel Pier.
