The new book Sense of Occasion by theatrical director and producer Harold Prince is a memoir wherein he explores his vast career in theatre starting with The Pajama Game and then brings us up to date with his plans for the future. It is a curious book. For the first half, it is a reprint of Prince’s 1974 biography Contradictions: Notes on Twenty-Six Years in the Theatre, with a page or two at the end of each chapter adding additional reflections and making new observations that only time and distance can make space for. The second half is a continuation of Prince’s story, walking us through all his productions post Candide (1974), giving most of the shows in that section the similar treatment of telling us how they came to fruition. More exciting than the fascinating history itself are Prince’s candid observations and assessments of his own work. He is his own worst critic, but he is also a conscientious man who takes his obligations to artists and audiences seriously.