All tagged Stephen Flaherty
I thought it would be impossible for Broadway Records to top the sensational job they did recording the Broadway revival of The Color Purple, an album that was so alive with energy and pristine clarity that it made its way to a Grammy Award win. Well, hold onto your hats because a new hurricane is blowing in the Caribbean with the new cast recording of Once On This Island, and the gods be praised: Broadway Records has outdone itself.
Though it may have received a lukewarm reception from critics, the original cast recording of the Broadway musical Anastasia gives no indication that this show has any failings. In fact, the lush and lively cast album from Broadway Records is a delight from start to finish. The Lynn Ahrens and Stephen Flaherty score percolates with energy and sumptuous voices. The songs that have been kept from the 1997 film are as wonderful as they ever were, but even more importantly, the new ones written for this Broadway mounting sparkle and reveal new depths to the characters, the story, and the mood of the piece.
With Encores! announcing their 2015 season of Off-Broadway pieces to revisit (including the wonderful A New Brain, the bankable but unnecessary Little Shop of Horrors and the intriguing but uneven Lippa's The Wild Party), I thought it might be interesting to look at some Off-Broadway titles that are ripe for exploration through this series.
Every season, we are inundated with a long list of musicals that are in development and that are based on famous source material. We speculate about their potential and wonder if they will work, often resigning ourselves to the fact that they will never live up to the movie, play or book that we adore. Sometimes, we are surprised when we enter the theatre and find that the music and lyrics, along with a fresh viewpoint, concept and/or casting choice can illuminate the piece in ways we hadn't imagined. This article is a valentine to the musicals that DID work and either captured their source material beautifully, or improved up them. I am limiting my list to pieces that I personally saw AFTER I had read the play, book or watched the movie from which they derived.
