I find this particular Tony year the most oft-debated on social media. Of course, it was a year with incredibly diverse offerings, and the four nominated Best Musicals each had a great deal to recommend. Most people are either squarely and adamantly behind Wicked, certain that it was robbed by Avenue Q. Just as many are ardently confident that Avenue Q was the rightful victor. Then we have two other shows, Caroline, or Change and The Boy From Oz, both pieces that arguably have equal claim for the Best Musical Tony. Not since The Music Man bested West Side Story at the 1958 Tony Awards has there been a more hotly contested Best Musical category. So, let’s take a look at the nominees individually and then begin the debate.