Remembering The Grand Tour

Jerry Herman is best remembered for his splashy musical comedies, including Hello, Dolly!, Mame, and La Cage aux Folles. In fact, Herman often is unfairly criticized (in some circles) for his catchy, upbeat showtunes and feel-good fare. There is nothing wrong with a joyous showtune, but this generalized assessment of Herman’s work would be incorrect for two reasons. First, within his big hits, Herman wrote plenty of tender, gentle, emotionally-charged songs of subtlety like “Ribbons Down My Back”, “My Best Girl” and “Look Over There.” Second, Herman wrote just as many musicals that looked at the darker side of humanity, and though there is much joy to be found in his scores for Dear World and Mack & Mabel, there is also much sadness. The same can be said for one Herman’s most “un-Herman” musicals, the glorious, if under-appreciated, The Grand Tour. 

The Best Musical Tony Award Debate: 1991

After taking a short hiatus and some much needed rest and relaxation, Theatreguy is back to continue write about Broadway musicals of the past, present, and the future. One of the new additions I am making to my writing is a weekly series called The Best Musical Tony Debate. Each week, I will take a look at the musicals nominated for Best Musical in one Tony Season, discuss and debate the contenders, theorize why the winner won, and offer my personal opinions on whether or not the voters got it right. 

For our first season of discussion, I have chosen 1991. It was a contentious year, with four terrific musicals vying for the prize, each with their ardent supporters:  The Will Rogers FolliesMiss SaigonThe Secret Garden, and Once on This Island. All of these musicals have proven to have a healthy shelf-life, and each of them had plenty of great components that made them worthy of their nominations. Ultimately, the winner was The Will Rogers Follies. Did the voters get it right? Let’s take a look at each of the musicals individually before playing them against each other.

Best Musical Theater Album - The Grammys

The Grammy Awards are set to air this Sunday, February 10th, and with all the pop superstars about to take center stage to receive accolades on national television, I thought it might be nice to recognize the nominee for “Best Musical Theater Album”. A category that both pertains to our musical theatre interests and one that will not be awarded on the network broadcast, “Best Musical Theater Album” has some strong nominees this year. All five of them are great albums, but only one can be named the victor. Here are my thoughts on each nominee.

Remembering Bloomer Girl

The other night I was making my way through Amazon Prime video, looking for something to watch. After sorting through hundreds of movies and television shows that I just knew wouldn’t hold my interest at that moment, I stumbled upon the 1956, Producer’s Showcase made-for-television version of the 1944 Broadway musical Bloomer Girl. My streaming choice for the evening was set. I have always adored the Harold Arlen/E.Y. Harburg score ever since I was first introduced to it in my History of American Musical Theatre class in college. Having listened to the score multiple times and read the book of Bloomer Girl for that glorious seminar, I was sad to realize that no one hardly ever produces this adventurous and courageous show that came fast on the heels of Rodgers and Hammerstein’s groundbreaking Oklahoma!. Watching an abridged, made-for-television version was most-likely the closest I would get to seeing a production of the show, so I hit the play button, sat back, and took a little jaunt into musical theatre history, where I admittedly spend most of my time.